Wild Unicorn Herd

A POC/non-white/mixie nerd scrapbook. Because we’re awesome.

#whitewashed!

searchingforknowledge:

wildunicornherd:

searchingforknowledge:

blacksandbooks:

The Best of all Possible Worlds

Karen Lord

ISBN 178087166X

A proud and reserved alien society finds its homeland destroyed in an unprovoked act of aggression, and the survivors have no choice but to reach out to the indigenous humanoids of their adopted world, to whom they are distantly related. They wish to preserve their cherished way of life but come to discover that in order to preserve their culture, they may have to change it forever. Now a man and a woman from these two clashing societies must work together to save this vanishing race—and end up uncovering ancient mysteries with far-reaching ramifications. As their mission hangs in the balance, this unlikely team—one cool and cerebral, the other fiery and impulsive—just may find in each other their own destinies … and a force that transcends all. “This fascinating and thoughtful science fiction novel breaks out of the typical conflict-centered narrative paradigm to examine adaptation, social change, and human relationships. I’ve not read anything quite like it, which it makes that rare beast: a true original.”—Kate Elliot, author of the Crown of Stars series and the Spiritwalker Trilogy.

HOLY SHIT SHE HAS A NEW BOOK?!?!?!?!??!!?

omfgggggggggggggggg~

based on the title i thought it might have something to do with redemption in indigo but it’s straight up sci fi?!?!

aw yeah

I am so pissed. The hardcover is whitewashed and the paperback, which is this cover is like $44 on amazon. wtf?!?!??!?!?!?!

oh god, i looked up the hardcover and that cover design is awful. i dunno what’s with the paperback price, but the book just came out, so maybe there isn’t really a paperback edition yet. should probably wait for the mass-market.

Producers of “The Last Airbender” plan to adapt “Snow Crash” »

starfishncoffeeelephantsnflowers:

racebending:

Deadline.com reports that the studio and producers behind The Last Airbender (2010) have acquired the rights to Neal Stephenson’s cyberpunk novel, Snow Crash.

The Kennedy/Marshall Company will produce. The Kennedy/Marshall company is the production company headed by Kathleen Kennedy and Frank Marshall, two of the producers of The Last Airbender (2010).

In 2008, fans of Avatar: The Last Airbender wrote hundreds of letters to Kennedy and Marshall asking them not to cast white actors to play characters of color in their adaptation of The Last Airbender. These letters were returned to sender or otherwise ignored. Even after Asian American advocacy organizations stepped in, producer Frank Marshall did not acknowledge that the casting of The Last Airbender had a discriminatory impact on actors of color.

Marshall did, however, acknkowledge that casting breakdowns asking for “Caucasian or any other ethnicity” to play the characters of Airbender was “poorly worded and offensive.” He told UGO.com that:

“Ultimately, we all take responsibility for not doing a more thorough job monitoring these frequently used third-party [casting] agents and Paramount has since been in regular dialogue with Asian American advocacy groups including the Japanese American Citizens League and the Media Action Network for Asian Americans to ensure that such a mistake does not happen in the future.” – Frank Marshall, 2010

How will this all play out in the adaptation of Snow Crash, a 1992 novel about a futuristic Los Angeles featuring several characters of color? The main character is hacker and pizza delivery guy Hiro Protagonist, who is of mixed Asian and African American descent. Other characters include a street smart skateboarder named Yours Truly (Y.T.), Hiro’s ex-girlfriend Juanita Marquez, and the antagonist Raven, who is of Aleut descent. Themes of racism and sexism intersect the text and the characters’ experiences.

Read the full article at Racebending.com

I have faith in Joe Cornish, but he’s not entirely at the wheel here. 

This will go well. -_-

so guys, this is what needs to happen:

anedumacation:

I would love it if George Takei would fucking publicly call out J.J. Abrams for the absolute fuckery that is casting Benedict Cumberbatch to play Khan Noonien Singh.

Because Mr. Takei has been such a strong vocal opponent of whitewashing

Because Mr. Takei himself was a pioneer and a role-model for Asian and POC actors in Hollywood

Because Mr. Takei is himself a Star Trek veteran and one of the most respected people in this franchise

Because Abrams and everyone involved in the Trek reboot loves George and took his opinion into account when it came to casting the last movie’s Sulu

Because Mr. Takei is fucking awesome and everyone loves him and because he’s hilarious and completely biting when he needs to be

I just want someone who actually has POWER and a VOICE and an AUDIENCE to shame the fuck out of the decision makers who made this horrible casting choice. 

Pet peeve: sci-fi characters with obviously Asian names being played by white people

Latest offender (thanks to Star Trek rerun currently on): Noonian Soong, the cyberneticist that created Data, who was originally supposed to be played by Chinese-American actor Keye Luke (aka Charlie Chan’s Number One Son) but ended up being played by Brent Spiner, and I can get that it’s kind of cool he plays both Soong and Data, but you couldn’t find aaaaany other old Asian guys? Rly?

(The scene where Lore says to Soong “You can’t be dying! You look fine!” really emotionally is pretty awesome though. It’s, like, Brent Spiner playing three very different characters, awesomely. Stiiiiiiilllllll.)

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A photo of Jeremy Lin on Facebook with a thread of super racist comments.

jedifreac:

I’ve had a very emotional week, but every night this week, I’ve come home, sat down, turned on YouTube, and watched Jeremy Lin play basketball.
 
I’m not a basketball fan.  I was team captain of a coed team in middle school gym class, but that’s about it.  I have, however; tracked J-Lin’s career for a long time now, on AngryAsianMan.com.  I first heard about him because during a Harvard game, students from the other school started yelling “chink” at him.  They chanted things like “go back to China” at him.
 
Today he is because he is the first Taiwanese American to play for the NBA.  Kicked to the curb by three teams before being picked up by the New York Knicks, the system doubted he could play and put him on the court as a last resort.  
 
After his four straight wins and asskicking to the Lakers, people no longer want him to go back to China.  In just a few days, he has managed to overshadow victimized nuclear scientist Wen Ho Lee to be the most famous Taiwanese American in the United States of America.  Not everyone knows the names of  the Taiwanese American founders of YouTube, Yahoo!, or Zappos.  Now they know Lin.
 
My boyfriend, who is not Taiwanese American, but white American, doesn’t know why I am excited about this.  He isn’t at all interested in basketball.  It isn’t about basketball for me.
 
Sometimes I wonder if I would be happier dating a woman of color, if I didn’ have to navigate internalized racism or sexism or power imbalances.  My boyfriend is a descendant of t he Pilgrims of the Mayflower and the Revolutionary War.  The brunt of the racism he experiences are circumstances such as when I doubt his ability to understand the part of me that is Taiwanese.  The brunt of racialized sexism that he faces is scorn for the privilege he has as a white male.  He is an ally, he has empathy, he tries.  I try, too—but I couldn’t share my excitement about JLin with him, and it reminded me of how different we are.
 
I said I wished I could be at home sharing this trivial basketball victory with my father.  My boyfriend asked me why I said “home”  when speaking about my slightly estranged family.  Wasn’t my home with him?  This home, where the language of my family of origin has slowly eroded…
 
My father, who is older, gradually becoming shorter than me, who can’t stand to be in America for more than a few months at a time anymore.  He is fragile.  He couldn’t handle the racism here, being taunted for his broken English, his competency being tested and taunted, the eye rolls he got when he tried to speak American.  
 
There is a novel about this now, you know.  It is called “How to Live Safely in a Science Fictional Universe.”  It is written by a Taiwanese American named Charles Yu.  In the book, the main character, also a Taiwanese American named Charles Yu, watches his Taiwanese immigrant father struggle, broken English, trapped in the past, recursive loops.  The book has been made into a play, which has been optioned for a movie.  The play stars a white actor.  I think I may have to exhaust myself again, fighting against yet another movie.
 
My father used to love playing basketball.  I wish Jeremy Lin could  have barged in 25 years ago, shattering stereotypes.  Maybe if he had, the clients I worked with at the public works office yesterday would not have called me and people like me “those Orientals.”  This is wishful thinking. I stood there, with a vacant, tolerate smile, suffocating the part of my spirit that wanted to scream back.
 
To me, so much about being an Asian American woman of color, particularly one of Taiwanese extraction, is about sharpening my dragon lady claws and clawing back.  This week, I had to fight to cut off a white female professor in my critical race theory clas tried to play an expert on Asian American demography.  When I tried to explain, the professor cut me off by snapping, “No, no it’s not.”  As if she knew better.  I had to counter a narrative proposed by a white female student who spoke about how whitening creams and eyelid surgery about Asians abroad wanting to be white, clearly, glorifying whiteness, make it all about that, all about white people, never looking at other cultural contexts, write the story for us.

I’ve been thinking  lot lately about what it means to be Taiwanese American.
Do I even know what I am talking about, since it has been fifteen years since I have even stepped foot on the island?

Yesterday I met some classmates who were also of Taiwanese descent.  One of them, who is half white, half Taiwanese, said.  ”I am Chinese, though don’t let my mom hear that, she would want me to say that I am Taiwanese but I really don’t care.”

This week,I have seen video of people setting themselves on fire in Tibet.  Last month, I stayed up until 4am trying to track Taiwanese election returns.  ”How can you not care?” I exploded, trying to keep a smile on my face, trying to stay benign.  ”How can you not fucking care?  If you’re Taiwanese, you are fucking Taiwanese.”  

I wish I could have added, “There are billions of people in this world, in China, in Taiwan, in the United States, who would gladly strip that identity from you.  They would tear it away from you in a fucking heartbeat!  Don’t just give it away like that.”

I started telling my classmates about my grandparents, telling me about the way they suffered and the people who died and how fiercely they care about being Taiwanese and being allowed to say things that are considered seditious (is speaking out against imperialism “seditious” when you are the ones threatened?)    
“Are you sure sure that really happened…that the communists did that?” my classmate asked, when I told them about how much my grandparents wanted to tell me about their past.    ”No, no, my grandparents said the nationalists did that, during the White Terror,” I said.  That drew blank looks.

Speaking to this classmate, who is only half Taiwanese, and has never been to Taiwan, was really eye opening.  It confronted me with the reality that my kids, no matter whom I have them with, probably won’t care.

My kids won’t care.  They won’t even know.

They won’t know what it is like.  Communicating with my grandparents with our shared broken Mandarin.  UnderstandingTaiwanese but unable to respond, to speak with them in the language of their choice. Always standing silent, reverent smile, those guttural syllables loaded on my tongue, tiny outbursts of fake Taiwanese staccato, unable to speak  a language people from China have tried to kill off, weighed down by an American accent.  

Realizing that my kids will never know Taiwanese at all, that they will be lucky if they even know Taiwanese Mandarin, but that they will be perfectly fluent in English like me.  Maybe they will even be “English majors” like me.  They will read hundreds of books written by white British and American men.  Perhaps “How to Live Safely in a Science Fictional Universe” will be the first book they ever read written by a Taiwanese American.

If I stay with my white boyfriend of five years they will be hapa and grow up in America surrounded in a culture of white supremacy—not the colloquial definition, but the academic one.  The one that taught me to hate my dark haired dolls and glorify the blonde ones.  Always wishing my skin was lighter, practicing standing in front of the mirror to make my eyes rounder.  The culture that has exhausted me with constant questions about where I am “really” from, assumptions about my ability to speak English without an accent, assumptions about my patriotism.  The dominant culture that taught me that I am either a submissive doll or a dominant dragon bitch, that I need to have skinny tinny voice and a cute attitude, tight sideways vagina, war trophy, otaku trophy, Madonna whore.  
I wish I had kept a running lifetime tally of all the times white people and Chinese people and American people have told me that I don’t get to identify as Taiwanese.

 Without their parents having to do anything, my children will learn from osmosis from their surrounding cultural environment that their white side is better.  They will identify with predominantly white television characters, they will learn nothing about Taiwan in school.  People will tell them Taiwan isn’t real, just as they told me.  Their textbooks will treat Taiwan—the strongest democracy in East Asia— like the United Nations treats Taiwan, like the World Health Organization treats Taiwan, like China treats Taiwan.  Maybe even like how China treats Tibet.

Their wealthy white grandparents will be warm and speak English to them, buy them gifts and take them to Disney World.  Their middling Taiwanese grandparents will feed them strange food and speak a strange language with their mother, smother them and awkwardly communicate with them through hand gestures and broken English.

I will be their brown mother, the one with the baggage about a tiny island across an ocean, miles and miles away, words in my throat fighting to come out.  People will think I am their nanny.  I will defer to their own self identification; identity diffusion only breeds dysfunction.  But if you are a person of color living in the United States, that gun has already been loaded for you.

Walking up to the Taiwanese American club on campus and getting blank stares, not finding kinship, buying boba and Vietnamese sandwiches from them.  ”We try and keep our club neutral, we don’t take a political stance,” without realizing that being neutral means being subsumed.

I considered myself lucky to find one other Taiwanese American friend who was willing to sit up late with me on Skype watching the elections, hoping for the first woman democrat to be elected president of Taiwan—not the Republic of China, but Taiwan.  

It didn’t happen.  I watched as America subtly pushed and pressured and played the election, all while claiming neutrality.  Realized that President Obama will never host a special White House dinner for Taiwanese diplomats, that Jeremy Lin will never be seated at a banquet table with Lucy Liu, Michelle Obama, Steven Chen, Jason Wu, Jay Chen.  Unlike my Chinese American, Korean American, and Indian American friends this presidential term, I will never peruse leaked seating arrangements or pour White House publicity photos and see people who identify like me smiling back.

It hurts, barely knowing anyone who cares, barely knowing anyone Taiwanese who cares.    Am I the only one who feels like this aspect of my identity is being suffocated?
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meatandsarcasm:

squiddishly:

sifu-hotman:

Firelord and Lady and stuff - arelia-dawn (and if you don’t think this is sexy enough, there’s this).

Okay, Avatar fandom, so one of my pet peeves is white washing in fan art.  Like drawing Katara as a white girl, or modelling Zuko on RPattz.  (I wish I’d kept the link to that one.  It needed to be seen to be believed.  Alas, it’s lost in the mists of Tumblr and Twitter archives.)

Mostly I keep my mouth shut, because heaven knows it’s a rare occasion when the image in my head matches in the image on the page, and I try not to judge people for a slip of the pen.  

But in the case of a carefully and beautifully rendered picture, where the artist herself states that the faces are modelled on European-Americans, I don’t feel so restrained.  In the comments, she states:

“To be fair, though, the Avatar world—though mostly based on Asian culture—is fictional. And because it’s fictional, I don’t see race as an issue. I suppose some imagine the characters to be more “Asian”, but since I live around mostly white people, I just picture them as white. Can’t help it xD”

Well, to be fair, I think that changing Asian characters and making them white is pretty racist.  Can’t help it.  In fact, I think it’s gross and offensive, and it’s more common than I like in Avatar fandom.  

Upthread said it better, so I’ll just add: why does Mei look like Michelle Forbes on Battlestar Galactica?

Lost In ‘Space’: A Look At Citibank’s Racebending New Ad Campaign »

eatdreamphotograph:

This is a pretty important analysis.

Apparently, Asian men scare the wealthy, white establishment- and bankers. So they pretend they don’t exist.

The story of ordinary people achieving their goals by tapping small donations and economizing is just as threatening to banks as Asian space-flight is to many white Americans. So this inspiring all-American tale of hard work and ingenuity is rewritten as an alliance between white hegemony and the banking system.