AfroSF is out for the Kindle! »
It has such cool names as Nnedi Okorafor, and OUR FRIEND COSMICYORUBA IS IN IT TOO!!!!!
A POC/non-white/mixie nerd scrapbook. Because we’re awesome.
It has such cool names as Nnedi Okorafor, and OUR FRIEND COSMICYORUBA IS IN IT TOO!!!!!
Nsibidi symbols play a role in Who Fears Death!
This looks really good and might actually get me into reading comics again. I always did like a lot of Vertigo stuff.
Zoo City (an adaptation of Lauren Beukes’s book), Tok Tokkie and The Windmill are all South African projects; I dunno about the Who Fears Death movie, which is based off a book by a Nigerian-American author, has an American producer and Kenyan director, and is set in far-future Sudan.
Via io9.
A new story by Nnedi Okorafor, “Hello, Moto”, with art by Jillian Tamaki, up at Tor!
With the wig finally off, Coco and Philo felt more distant to me. Thank God.
Even so, because it was sitting beside me, I could still see them. Clearly. In my head. Don’t ever mix juju with technology. There is witchcraft in science and a science to witchcraft. Both will conspire against you eventually…
“holy shit!!!!! chineke, oooooooo!!!!! :-D!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!”
– /whispers/** Do you think Nnedi Okorafor knows she won Best Novel yet?
And Best Novel goes to a very deserving Nnedi Okorafor for Who Fears Death.
(There were six nominees, of whom four are women, and three of them women of colour. Awesome!)
A lovely, thoughtful review. Via Nnedi Okorafor on Twitter.
Okorafor easily resists the bog-standard “science and rationalism bad, living in harmony with the environment and intuitive magic good” approach, and undramatically weaves in realistic and useful high technology where it’s appropriate. By European fantasy standards, this is a dystopian future; coin-sized computers and weather-gel treated clothing are sold from open stalls in dusty markets, and slaves carry heavy loads along roads thronged with bio-fuel scooters. I’m rather reluctant to use the word “dystopia”, though, because that implies something that doesn’t exist already; this sort of complex intersection of technology levels, social conditions, traditional practices, and the future is already happening all over the world, and has been for quite some time.